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Art of Katana
Katana Sword Parts
and Information -:
swords kingdom
samurai The Katana is a curved, single-edged Japanese sword traditionally used
by the samurai. Pronounced [kah-tah-nah] in the kun'yomi (Japanese reading) of
the kanji, the word has been adopted as a loan word by the English language; as
Japanese does not have separate plural and singular forms, both
"katanas" and "katana" are considered acceptable plural
forms in English.
In battle, katana was
typically paired with the wakizashi or tanto, a similarly made but shorter
sword. Both were worn by members of the Japanese warrior class. The two weapons
together were called the daisho, and represented the social power and personal
honor of the samurai.
Katana with long
blade was used for open combat, while the wakizashi or tanto with shorter blade
was considered a side arm, more suited for stabbing and close quarters combat.
Samurai may have used the shorter sword for decapitating beaten opponents when
taking heads on the battlefield, and seppuku, a form of ritual suicide.

japanese sword parts
In Japanese, the
scabbard for a katana is referred to as a saya, and the hand guard piece, often
intricately designed as an individual work of art, is called the tsuba.
Other aspects of the
mountings (koshirae), such as the menuki (decorative grip swells), habaki
(blade collar and scabbard wedge), fuchi and kashira (handle collar and cap),
kozuka (small utility knife handle), kogai (decorative skewer-like implement),
saya lacquer, and ito (professional handle wrap, also named emaki), received
similar levels of artistry.

samurai sword blade
Each blade has a
unique profile, mostly dependent on the smith and the construction method. The
most prominent is the middle ridge, or shinogi. The shinogi can be placed near
the back of the blade for a longer, sharper, and more fragile edge - or a more
moderate shinogi near the center of the blade.
The sword also has an
exact tip shape, which is considered an extremely important characteristic. The
tip can be long (okissaki), medium (chukissaki), short (kokissaki), or even
hooked backwards (ikuri-okissaki). In addition, whether the front edge of the
tip is more curved (fukura-tsuku) or (relatively) straight (fukura-kareru) is
also important.
The kissaki (point) is not a "chisel-like" point, nor is the Western knife interpretation
of a "tanto point" found on true Japanese swords. A straight,
linearly-sloped point has the advantage of being easy to grind, but it bears
only a superficial similarity to traditional Japanese kissaki.
Kissaki have a curved
profile, and smooth three-dimensional curvature across their surface towards
the edge - though they are bounded by a straight line called the yokote and
have crisp definition at all their edges.

katana sword howto
A hole is drilled
into the tang (nakago), called a mekugi-ana. It is used to anchor the blade
using a mekugi, a small bamboo pin that is inserted into another cavity in the
tsuka and through the mekugi-ana, thus restricting the blade from slipping out.
To remove the tsuka one removes the mekugi. The sword smith's signature (mei) is placed on the nakago.
Some marks on the
blade are purely aesthetic. Signatures and dedications written in kanji and
engravings depicting gods, dragons, or other acceptable beings, called
horimono.
Some are more
practical. The presence of a "blood groove" or HI (also known as
"fuller") does not actually allow blood to flow more freely from cuts
made with the sword. There is no difference in ease of withdrawing a blade from
the saya, or a reduction of the sucking sound, which many people believe was
the reason for including this feature on commando knives in World War II.
Instead, the purpose
is to lighten and strengthen the sword blade. The grooves are consistent in
structure to an I beam, lessening the weight of the sword yet keeping structural
integrity and strength. The basic design principle is that bending causes more
stress in material near the edge or back of the blade than material in the
middle, due to leverage. Blood grooves remove material from near this neutral
axis, which is closer to the blade's spine if one edge is sharpened. This
yields stiffer blades of a given weight, or lighter blades of a given
stiffness.
Furthermore the
grooves (always done on both sides of the blade) make a whistling sound when
the sword is swung (the tachikaze). If the swordsman hears one whistle when
swinging a grooved katana then that means that just one groove is making the
whistle. Two whistles means that both the edge of the blade and a groove are
making a whistle, and three whistles together (the blade edge and both grooves) would tell the swordsman that his blade is perfectly angled with the direction
of the cut.

Samurai History -:
A history of the
Samurai must begin with the most important aspect of a Samurai: Bushido.
Knowing about Bushido is how one knows the Samurai warrior. "Bushi" is translated as "Warrior" and "do" is translated as
"the way". Thus Bushido means "the Samurai way of life".
Bushido consisted of a rigid code of ethics that was to be followed devoutly
with bravery, honor and loyalty as the most important aspects . The most
revered Bushido tenet was "freedom from fear". A Samurai was to live
every moment with no fear of death, thus giving them the freedom to follow the
Bushido code without hesitation and without fail. This philosophy was to be
held sacred, even if one had to sacrifice one's life to pursue these ideals.
The elite Samurai
warrior trained for many years in the art "Bujutsu". The Samurai were
experts in a wide variety of combat skills including ground fighting, fighting
unarmed, fighting with arms and fighting from horseback. Early Samurai used bow
and arrows, and swords. Later Samurai used swords, spears and naginata
(halberds). Samurai often named their swords, in a dedication of devotion. They
believed that their warrior spirit was contained within their swords. They
dedicated their lives to the combat arts of Bujutsu.
The Samurai wore two
swords, a wakizashi and a katana. Their swords were made by master sword smiths
and quality tested on the corpses of criminals.
The Samurai culture
rose from the ongoing wars over land among the Minamoto, Fujiwara and Taira
clans. Though the Samurai originated from regional groups of ancient warriors,
they quickly lost their provincial ways. They developed a unique, sophisticated
culture that was renowned for stoicism, honor and military expertise during the
Kamakura period (1192-1333).
According to William
Scott Wilson in his book "ideals of the Samurai": "The warriors
in the Heike Monogatari served as models for the educated warriors of later
generations, and the ideals depicted by them were not assumed to be beyond
reach. Rather, these ideals were vigorously pursued in the upper echelons of
warrior society and recommended as the proper form of the Japanese man of arms.
With the Heike Monogatari, the image of the Japanese warrior in literature came
to its full maturity." Wilson then translates the writings of several
warriors who mention the Heike Monogatari as an example for their men to
follow.
During the Muromachi
period (1338-1573), Samurai culture created the idea of artist-warrior. Samurai
training began to include the ritualized tea ceremony and flower arranging to
add refinement and balance to the warrior persona. The code of Bushido became
formalized.
The Samurai were
considered the aristocratic warrior class of Japan. The peak of the Samurai era
was in 12th century Japan where they enjoyed the benefits of belonging to a
unique, privileged class. The Samurai were able to wear their swords freely and
had the right to kill any peasant who offended them.
The downfall of the
Samurai began during the Edo period (1603-1867). Two hundred and fifty years of
peace had made the Samurai archaic: they were allowed to wear their swords, but
had to accept non-warrior jobs to survive. The booming economy during this time
of peace further excluded the ascetic principles of the Samurai, as most
Japanese citizens were enjoying the new luxuries that accompany economic
prosperity.
The gradual decline
of the Samurai continued until the last Shogun resigned during the Meiji
Restoration in 1868. Dissatisfied Samurai had led the revolt against the
shogun, but the new government abolished feudalism and betrayed the Samurai by
stripping them of all their privileges in 1871. Thus ended the era of the
Samurai.
The history and
philosophy of the Samurai lives on in the form of the Samurai sword, which has
become a much sought after symbol of this historic and heroic bygone era.
Samurai Terms
Batto-jutsu
A
sword-drawing art that includes cutting rolled straw targets
Bo-jutsu
Staff
fighting
Budo
Martial or Fighting Arts
Bushido
The
Way of the Warrior
Chokuto
Straight sword used in Japan's early history
Daimyo
Feudal landowner
Daisho
Samurai's two swords (one long - katana, one short - wakizashi)
Edo Period
1600
- 1867 when Tokugawa government ruled Japan
Giri
Samurai's duty
Gunpai
War
fan
Hakama
Divided skirt-pants Samurai wore
Heian Period
782 -
1184 when Japan's capital was located in Kyoto
Iai-jutsu
Art
of Drawing the Sword
Kamakura Period
1185
- 1332 when the capital of Japan was in Kamakura. Known as the "golden
age" of the Japanese sword.
Kampaku
Regent
Katana
Long
sword
Ken
Sword
- refers specifically to an ancient, two-edge sword made before the ninth
century
Ken-jutsu
Art
of the Sword
Koto
Swords made before the Edo Period
Kyo-jutsu
Bow
and arrow fighting
Kyuba no michi
The
Way of the Horse and Bow
Kyu-jutsu
Japanese archery
Mei
Name
of a sword
Momoyana Period
1573
- 1599 when Samurai began wearing daisho. Also beginning of the Shinto (new
sword) period.
Mon
Family crest worn on montsuki
Montsuki
Kimono top Japanese wore at formal occasions
Muramasa
Sword
maker
Muromachi Period - 1392 - 1572
when constant civil wars greatly increased the production of swords.
Musha-shugyo
Warrior pilgrimage
Naginata
Long
pole with curved blade on one end
Naginata-jutsu
Way
of the Naginata
Nambokucho Period
1333
- 1391 when two emperors were vying for power in Japan
No-dachi
Long
sword
Ronin
Master-less Samurai
Ryu
Particular school or style of martial arts
Samurai
Member of the warrior class
Sensei
Teacher
Seppuku
Ritual suicide
Shin Shinto
"New New Sword" - any sword made after Meiji Restoration (1870)
Shinto
"New Sword" - any sword made between 1596 and 1870
Shogun
Barbarian subduing General (war lord)
So-jutsu
Spear
fighting
Sohei
Warrior monks
Tachi
Long,
deeply curved sword that mounted Samurai used in ancient Japan
Uchigatana
"Inside sword" - a term for the longer of two swords Samurai wore
Wakizashi
Short
sword
Zanshin
Samurai's sensing danger
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